From memoir to journalism, personal essays to cultural criticism - this unique, indispensable anthology brings together fifty unforgettable works from all genres of creative nonfiction. Selected by five hundred writers, English professors, and creative w
Janet Burroway offers an introduction to creative writing, covering the four genres: creative nonfiction, fiction, poetry and drama. She investigates a specific element of craft - Image, Voice, Character, Setting and Story - from a perspective that crosse
Twenty intensely personal essays on physical and emotional self-image by women writers from a wide range of ages, races, and conformity.Table of Contents"Reading" the body: an introduction / Patricia Foster A weight that women carry / Sallie Tisdale The f
The most widely used and respected text in its field, Writing Fiction, 7e guides the novice story writer from first inspiration to final revision. A bestseller through six editions, Writing Fiction by novelists Janet Burroway and Elizabeth Stuckey-French
It's a dark day for Itching Down. Four million wasps have just descended on the town, and the pests are relentless! What can be done? Bap the Baker has a crazy idea that just might work . . .Young readers will love this lyrical, rhyming text as they watch
The Best American Short Stories remains the preeminent annual selection of the finest short fiction published in North America. Edited by the award-winning Robert Stone, the 1992 volume gathers 20 of the year's richest stories from magazines large and sma
With sales for last year's volume reaching the highest level ever, The Best American Short Stories continues to grow in popularity and acclaim. This year's guest editor, Tobias Wolff, has assembled a lively collection that is certain to secure the series'
Robert Olen Butler's last short story collection, A Good Scent from a Strange Mountain, was a keen, piercing book told largely in the voice of Vietnamese immigrants to America. To say that his new collection is a departure is an understatement: Butler has
The human head is believed to remain in a state of consciousness for one and one-half minutes after decapitation. In a heightened state of emotion, people speak at the rate of 160 words per minute. Inspired by the intersection of these two seemingly unrel
