In Mornings Like This, Annie Dillard extracts and rearranges sentences from old--and often odd--books, and composes ironic poems--some serious, some light--on the heartfelt themes of love, nature, nostalgia, and death. Clever, original, sometimes humorous
From memoir to journalism, personal essays to cultural criticism - this unique, indispensable anthology brings together fifty unforgettable works from all genres of creative nonfiction. Selected by five hundred writers, English professors, and creative w
In 1975 Annie Dillard took up residence on an island in Puget Sound in a wooded room furnished with "one enormous window, one cat, one spider and one person." For the next two years she asked herself questions about time, reality, sacrifice death, and the
Living by Fiction is written for--and dedicated to--people who love literature. Dealing with writers such as Nabokov, Barth, Coover, Pynchon, Borges, García Márquez, Beckett, and Calvino, Annie Dillard shows why fiction matters and how it can reveal mor
Annie Dillard has written eleven books, including the memoir of her parents, An American Childhood; the Northwest pioneer epic The Living; and the nonfiction narrative Pilgrim at Tinker Creek. A gregarious recluse, she is a member of the American Academy
Annie Dillard -- "one of the most distinctive voices in American letters today" (Boston Globe) -- collects her favorite selections from her own writings in this compact volume. A perfect introduction to one of America's most acclaimed and bestselling auth
In spare, elegant prose, Dillard traces the lives of Toby and Lou Maytree. She presents willed bonds of loyalty, friendship, and abiding love. Warm and hopeful, The Maytrees is the surprising capstone of Annie Dillard's original body of work.Toby Maytree
Robert Frost never felt more at home in America than when watching baseball "be it in park or sand lot." Full of heroism and heartbreak, the most beloved of American sports is also the most poetic. Its rhythms are those of the seasons. Its memories are sa
Creative nonfiction, also known as narrative nonfiction, liberated journalism by inviting writers to dramatize, interpret, speculate, and even re-create their subjects. Lee Gutkind collects twenty-five essays that flourished in this new turf, all original
