The classical novel (and basis for the acclaimed film) now in a new editionIntroduction by Kevin BakerThe Natural, Bernard Malamud's first novel, published in 1952, is also the first—and some would say still the best—novel ever written about baseball.
BERNARD MALAMUD (1914-86) is considered a modern master of the short story, ranked with Chekhov and Isaac Babel. The Complete Stories of Bernard Malamud brings together all of Malamud's published stories--from the classic early story "The Magic Barrel," i
Bernard Malamud’s second novel, originally published in 1957, is the story of Morris Bober, a grocer in postwar Brooklyn, who “wants better” for himself and his family. First two robbers appear and hold him up; then things take a turn for the better
God's Grace (1982), Bernard Malamud's last novel, is a modern-day dystopian fantasy, set in a time after a thermonuclear war prompts a second flood -- a radical departure from Malamud's previous fiction. The novel's protagonist is paleolosist Calvin Cohn
With a new introduction by Thomas MallonDubin's Lives (1979) is a compassionate and wry commedia, a book praised by Christopher Lehmann-Haupt in The New York Times as Malamud's "best novel since The Assistant. Possibly, it is the best he has written of al
With a new introduction by Aleksandar HemonIn The Tenants (1971), Bernard Malamud brought his unerring sense of modern urban life to bear on the conflict between blacks and Jews then inflaming his native Brooklyn. The sole tenant in a rundown tenement, He
Winner of the National Book Award for FictionBernard Malamud's first book of short stories, The Magic Barrel, has been recognized as a classic from the time it was published in 1959. The stories are set in New York and in Italy (where Malamud's alter ego,
Robert Frost never felt more at home in America than when watching baseball "be it in park or sand lot." Full of heroism and heartbreak, the most beloved of American sports is also the most poetic. Its rhythms are those of the seasons. Its memories are sa
Arthur Fidelman, Bronx-born and raised, is a self-confessed failure as a painter. When he goes to Italy to prepare a critical study of Giotto, a zany adventure ensues. Pursued through the streets of Rome by the refugee Susskind, forced to abandon Giotto,
