People are on the move in all ten stories in this collection--coming home as in "The Return, "leaving home as in "Rubbish Wind, " traveling far away from their country as in "The Locks of Epiphan"--trying to improve their lives and those of others, search
A New York Review Books OriginalThe Soviet writer Andrey Platonov saw much of his work suppressed or censored in his lifetime. In recent decades, however, these lost works have reemerged, and the eerie poetry and poignant humanity of Platonov’s vision h
Moscow in the 1930s is the consummate symbol of the Soviet paradise, a fairy-tale capital where, in Stalin's words, "life has become better, life has become merrier". In Happy Moscow Platonov exposes the gulf between this premature triumphalism and the
Pushkin's version of the historical novel in the style of Walter Scott, this final prose work also reflects his fascination with and research into Russian history of the 18th century. During the reign of Catherine the Great, the young Grinev sets out for
Notable for their magnificent, jewel-like color illustrations by Bilibin, these traditional tales include "The Frog Princess," "Vassilissa the Beautiful," and "The White Duck." Though Russian Fairy Tales in the Pantheon Folklore Library is a book for adul
This collection of Platonov's short fiction brings together seven works drawn from the whole of his career. It includes the harrowing novella Dzahn ("Soul"), in which a young man returns to his Asian birthplace to find his people deprived not only of food
The Foundation Pit portrays a group of workmen and local bureaucrats engaged in digging the foundation pit for what is to become a grand 'general' building where all the town's inhabitants will live happily and 'in silence.'
