Tatyana Tolstaya's short stories — with their unpredictable fairy-tale plots, appealingly eccentric characters, and stylistic abundance and flair — established her in the 1980s as one of modern Russia's finest writers. Since then her work has been tra
Two hundred years after civilization ended in an event known as the Blast, Benedikt isn’t one to complain. He’s got a job—transcribing old books and presenting them as the words of the great new leader, Fyodor Kuzmich, Glorybe—and though he doesn�
Thirteen stories--by the first woman in years to rank among Russia's most important writers--celebrate courage and the will to endure among the people who live on the periphery of society but who dream with a redeeming passion.
Collecting the creme de la creme of the horror and fantasy fields, this third volume amasses the best from 1989, including works by Scott Baker, Pat Cadigan, Joe Haldeman, Tanith Lee, Jonah Carroll, Robert McCammon and Bruce Sterling, as well as extensive
By "the most original, tactile, luminous voice in Russian prose today" (Joseph Brodsky), Sleepwalker in a Fog is a collection of seven stories and a novella set in contemporary Russia. Here is Denisov, who fears his greatest accomplishment in life will be
People are on the move in all ten stories in this collection--coming home as in "The Return, "leaving home as in "Rubbish Wind, " traveling far away from their country as in "The Locks of Epiphan"--trying to improve their lives and those of others, search
The Foundation Pit portrays a group of workmen and local bureaucrats engaged in digging the foundation pit for what is to become a grand 'general' building where all the town's inhabitants will live happily and 'in silence.'
Chevengur is a massive series of satirical scenes from Soviet life during the New Economic Policy instituted by Lenin in the 1920s, the story of the efforts of provincial builders of Communism, but in their grotesque Utopia, Cheka murders are the only thi
A New York Review Books OriginalThe Soviet writer Andrey Platonov saw much of his work suppressed or censored in his lifetime. In recent decades, however, these lost works have reemerged, and the eerie poetry and poignant humanity of Platonov’s vision h
