WHO SHOT WALTER KURTZ?Nobody. Walter Kurtz doesn’t exist. He’s the alter ego of me, Peter Kuper. But, if he were real, perhaps his obituary would read something like this:Walter Kurtz, illustrator and self-exposing cartoonist, dies of embarrassment at
Actions speak louder than words in this wordless, fully painted graphic novel. If every action has an equal and oppostie reaction, get ready to run for cover: A corrupt cop is shaking down drug dealers, a serial killer is slaughtering strippers, a politic
Comics iconoclast Rick Veitch, the creator of CAN'T GET NO, writes and illustrates this volume collecting the critically acclaimed first six issues of the new series that is equal parts blistering battle action, sensuous soap opera and pitch-black satire
As the Great War dragged on and its catastrophic death toll mounted, a new artistic movement found its feet in the United Kingdom. The Trench Poets, as they came to be called, were soldier-poets dispatching their verse from the front lines. Known for its
Samantha and George are a couple heading towards a sabbatical year in the quaint Mexican town of Oaxaca. For Samantha, it is the opportunity to revisit her past. For George, it is an unsettling step into the unknown. For both of them, it will be a collisi
The Beats: A Graphic History, those who were mad to live have come back to life through artwork as vibrant as the Beat movement itself. Told by the comic legend Harvey Pekar, his frequent artistic collaborator Ed Piskor, and a range of artists and writers
Painting a vivid, personal portrait of social and political upheaval in Oaxaca, Mexico, this unique memoir employs comics, bilingual essays, photos, and sketches to chronicle the events that unfolded around a teachers' strike and led to a seven-month sie
As one of the most effective and powerful forms of communication, it comes as no surprise that comic art has been misappropriated by governments, self-interest groups, do-gooders, and sinister organizations to spread their message. World War II comic book
Yiddish is everywhere. We hear words like nosh, schlep, and schmutz all the time, but how did these words come to pepper American English? In Yiddishkeit: Jewish Vernacular and the New Land, Harvey Pekar and Paul Buhle trace the influence of Yiddish from
THE GRAPHIC CANON
(Seven Stories Press) is a gorgeous, one-of-a-kind trilogy that brings classic literatures of the world together with legendary graphic artists and illustrators. There are more than 130 illustrators represented and 190 literary works