(Applause Books). Winner of Best Non-Fiction for 2002 Award from the Los Angeles Times Book Review! Samuel Fuller was one of the most prolific and independent writer-director-producers in Hollywood. His 29 tough, gritty films made from 1949 to 1989 set ou
"In my opinion, [Agee's] column is the most remarkable regular event in American journalism today."--W. H. AudenJames Agee was passionately involved with the movies throughout his life. A master of both fiction and nonfiction, he wrote about film in clean
'As far back as I can remember, I've always wanted to be a gangster.'Henry Hill grows up in the 1950s, in a Brooklyn neighbourhood where Italian-American gangsters walk tall in the streets, commanding the respect of their peers. Young Henry dreams that on
Alfred Hitchcock's 1958 film Vertigo--in which obsessve ex-cop James Stewart pursues troubled loner Kim Novak throughout San Francisco--is one of the most dissected, discussed, and revered movies of all time. Now, for the first time, the story of this rem
From one of the world's most acclaimed directors comes an absorbing and informative look at the evolution of American film and how the medium both shaped Scorsese's own artistic vision and influenced the whole of American culture. Hundreds of film stills,
An invaluable analysis of the director's art and craft, from one of the most revered of all film school directors. Alexander 'Sandy' Mackendrick directed classic Ealing comedies plus a Hollywood masterpiece, Sweet Smell of Success. But after retiring from
A gorgeous, lavish history of silent movies - with more than 400 amazing images - captures the birth of film and icons like Chaplin, Garbo, Clara Bow, and Valentino. Drawing on the extraordinary collection of The Library of Congress, one of the greatest r
Roger Ebert wrote the first film review that director Martin Scorsese ever received—for 1967’s I Call First, later renamed Who’s That Knocking at My Door—creating a lasting bond that made him one of Scorsese’s most appreciative and perceptive co
Elia Kazan was the mid-twentieth century’s most celebrated director of both stage and screen, and this book shows us the master at work.Kazan directed virtually back to back the greatest American dramas of the era—by Arthur Miller and Tennessee Willia
