Darkness Spoken gathers together Ingeborg Bachmann’s two celebrated books of poetry, as well as early and late poems not collected in book form, over 100 of them appearing in English for the first time, as well as 25 poems never before published in Germ
Tells the story of lives painfully intertwined: the unnamed narrator, haunted by nightmarish memories of her father, lives with the androgynous Malina, an initially remote and dispassionate man who ultimately becomes an ominous influence. Plunging toward
This is collection of the stories written by a distinguished Austrian author who died in 1973. Reading these stories entails abandoning the terms of one's own comfort. The author's relentless vision demands that readers allows themselves to be hypnotised,
These unfinished novels were intended to follow her widely acclaimed Malina in a Proustian cycle to be entitled Todesarten, or Ways of Dying. Through the tales of two women in postwar Austria, Bachmann explores the ways of dying inflicted on women by men,
For centuries, poets have looked into the mirror of classical myth to show us the many ways our emotional lives are still reflected in the ancient stories of heroism, hubris, transformation, and loss that myths so eloquently tell. Now, in Gods and Mortals
Die Liebesbeziehung zwischen den beiden bedeutendsten deutschsprachigen Dichtern nach 1945 beginnt im Wien der Nachkriegszeit. Bachmann studiert dort Philosophie, für Paul Celan ist Wien eine Zwischenstation. Im Mai 1948 lernen sie einander kennen, Ende
Ingeborg Bachmann veröffentlichte 1972 mit "Simultan" ihren zweiten Erzählungsband, der ihre letzte Buchveröffentlichung seit dem Ende der sechziger Jahre parallel zu den Arbeiten am "Todesarten" Projekt war. Mit diesem haben sie das Thema der von der
!["Mord ist keine Kunst". Ingeborg Bachmanns Roman "Malina" und seine Verwandlung](https://s.pdfdrive.com/assets/thumbs/f6c/f6cd03ec81c52da1b4ad2039687e0309-s.jpg ""Mord ist keine Kunst". Ingeborg Bachmanns Roman "Malina" und seine Verwandlung")
