“ Be like the sun for grace and mercy. Be like the night to cover others' faults. Be like running water for generosity. Be like death for rage and anger. Be like the Earth for modesty. Appear as you are. Be as you appear. ” ― Rumi
Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theor
Thirty-seven writers. One rule. Each story must be told in the first person. In this nice fat collection of original stories, some of the most daring writers on the American literary scene take up that slim little word 'I' and use it to poke around the da
As the rope was tightening around my neck, an Alien made love to me. Belief is a technology for softening the landscape. The world becomes more beautiful when God is in it. Here is what happens inside a person's body when they starve.Written in the shadow
In I Love Dick, Chris Kraus, author of Aliens & Anorexia, Torpor, and Video Green, boldly tears away the veil that separates fiction from reality and privacy from self-expression. It's no wonder that upon its publication in 1997, I Love Dick instantly
Sylvie wanted to believe that misery could simply be replaced with happiness. Time was a straight line, stretching out before you. If you could create a golden kind of time and lay it right beside the other time, the time of horror, Bad History could just
"In his journal, Paul liked to make lists: What he ordered from Commissary (shaving cream, toothpaste, deodorant, the transistor radio he had for a week before the guards took it away). The books he picked off the cart (The Bible, Dean Koontz, Stephen Kin
Poetry. Fiction. Essays. Women's Studies. FEMINAISSANCE = collectivity; feminine ecriture; the politics of writing; text and voice; the body as a site of contestation, insurgence and pleasure; race and writing; gender as performance; writing about other w
Where Art Belongs Chris Kraus examines artistic enterprises of the past decade that reclaim the use of lived time as a material in the creation of visual art. Full description
