This edition, containing an extensive introduction, notes, the French original, and a new translation of Césaire's poetry—the complex and challenging later works as well as the famous Notebook—will remain the definitive Césaire in English.
Postmodern American Poetry provides a deep and wide selection-411 poems by 103 poets-of the major poets and movements of the late twentieth century. Included are the leading Beat and New York School poets, the Projectivists, and "Deep Image" poets. Includ
Aime Cesaire's masterpiece, Notebook of a Return to the Native Land, is a work of immense cultural significance and beauty. The long poem was the beginning of Cesaire's quest for negritude, and it became an anthem of Blacks around the world. With its emph
This first translation of the complete poetry of Peruvian César Vallejo (1892-1938) makes available to English speakers one of the greatest achievements of twentieth-century world poetry. Handsomely presented in facing-page Spanish and English, this volu
The Translation judges for the National Book Awards - Richard Miller, Alastair Reid, Eliot Weinberger - cites Clayton Eshleman and Jose Rubia Barcia's translation of Cesar Vallejo's The Complete Posthumous Poetry as follows:"This, the first National Book
A revolutionary figure in the literary avant-garde of his time, Antonin Artaud (1896-1948) is now seen to be central to the development of post-modernism. His writings comprise verse, prose poems, film scenarios, a historical novel, plays, essays on film,
"I am the man," wrote Artaud, "who has best charted his inmost self." Antonin Artaud was a great poet who, like Poe, Holderlin, and Nerval, wanted to live in the infinite and asked that the human spirit burn in absolute freedom.To society, he was a madman
A collection of manifestos originally published in 1938, The Theater and Its Double is the fullest statement of the ideas of Antonin Artaud. “We cannot go on prostituting the idea of the theater, the only value of which is in its excruciating, magical r
Translated into English for the first time, this novelized biography of the 3rd-century Roman Emperor Heliogabalus is simultaneously Artaud's most accessible and his most extreme book. Written in 1933, at the time when Artaud was preparing to stage his le
