Colette began writing Break of Day in her early fifties, at Saint-Tropez on the Côte d'Azur, where she had bought a small house after the breakup of her second marriage. The novel's theme--the renunciation of love and the return to an independent existen
Colette, prodded by her first husband, Willy, began her writing career with Claudine at School, which catapulted the young author into instant, sensational success. Among the most autobiographical of Colette's works, these four novels are dominated by the
Exquisitely handsome, spoilt and sardonic, Chéri is the only son of a wealthy courtesan, a contemporary of Léa, the magnificent and talented woman who for six years has devoted herself to his amorous education. When a rich marriage is arranged for Chér
Colette herself considered The Pure and the Impure her best book, "the nearest I shall ever come to writing an autobiography." This guided tour of the erotic netherworld with which Colette was so intimately acquainted begins in the darkness and languor of
Two volumes of Colette's most beloved works, with a new Introduction by Judith Thurman.Perhaps Colette's best-known work, Gigi is the story of a young girl being raised in a household more concerned with success and money than with the desires of the hear
A brilliant literary portrait, Isak Dinesen remains the only comprehensive biography of one of the greatest storytellers of our time. Her magnificent memoir, Out of Africa, established Isak Dinesen as a major twentieth-century author, who was twice nomina
A scandalously talented stage performer, a practiced seductress of both men and women, and the flamboyant author of some of the greatest works of twentieth-century literature, Colette was our first true superstar. Now, in Judith Thurman's Secrets of the F
Cleopatra's Nose is an exuberant gathering of essays and profiles representing twenty years of Judith Thurman's celebrated writing, particularly her fascination with human vanity, femininity, and "women's work"--from haute couture to literature to command
The drawings depicted here represent a range of subject matter taken from throughout Glaser's career. They illustrate the author's commitment to the fundamental idea that drawing is not simply a way to represent reality, but a way to understand and experi
