" Maman est morte, je suis maman, voilà, c'est simple, c'est aussi simple que ça, c'est notre histoire à toutes les trois.Tu en mets du temps à raconter les histoires, je me disais quand elle me racontait une histoire dans mon lit. Là c'est allé vit
Philosophical inquiry, examinations of language, and involuted domestic disputes are the focus of Lydia Davis’s inventive collection of short fiction, Almost No Memory. In each of these stories, Davis reveals an empathic, sometimes shattering understand
“In twenty-nine separate but ingenious ways, these stories seek permanent residence within a reader. They strive to become an emotional or intellectual cargo that might accompany us wherever, or however, we go. . . . If we are made by what we read, if l
From one of our most imaginative and inventive writers, a crystalline collection of perfectly modulated, sometimes harrowing and often hilarious investigations into the multifaceted ways in which human beings perceive each other and themselves. A couple s
Published to huge acclaim in the US, Lydia Davis? important debut collection of 34 stories seems to assure us that reality is ordered and reasonable. However, as the characters in the stories prove, misunderstanding and confusion are inherent in everyday
Mislabeled boxes, problems with visiting nurses, confusing notes, an outing to the county fair--such are the obstacles in the way of the unnamed narrator of The End of the Story as she attempts to organize her memories of a love affair into a novel. With
Lydia Davis has been called "one of the quiet giants in the world of American fiction" (Los Angeles Times), "an American virtuoso of the short story form" (Salon), an innovator who attempts "to remake the model of the modern short story" (The New York Tim
A major collection of writings from one of the most important twentieth century French authors, "The Blanchot Reader" includes six works of fiction ("Death Sentence, The Madness of the Day, When the Time Comes, Vicious Circles, Thomas the Obscure", and "T
