The girl named Mary -- they called her Madonna, and she was deaf and dumb and beautiful as a painting by Raphael -- was a mystery. The Blyths adopted her from a kindly old woman connected to a traveling circus, but everyone knew she wasn't from circus fol
Eleven tales of terror, including Mary E. Wilkins' "The Lost Ghost," Robert Louis Stevenson's "The Body-Snatchers," "Mrs. Zant and the Ghost," by Wilkie Collins, and other gripping works by Charles Dickens, Henry James, J. S. LeFanu, Ralph Cram, Mrs. Hen
Wilkie Collins's intriguing story about a blind girl, Lucilla Finch, and the identical twins who both fall in love with her, has the exciting complications of his better-known novels but it also overturns conventional expectations. Using a background of m
Marvin KayeSaralee KayeIntroduction (Ghosts) • Marvin KayeA Prologue of Last Words • Marvin KayeMinuke • (1949) • Nigel KnealeThe Wind in the Rose-Bush • (1902) • Mary E. Wilkins FreemanLegal Rites • (1950) • Isaac Asimov and Frederik Pohl
This 1884 novel features a young orphan, Emily Brown, who is courted by two eligible bachelors: Alban Morris, the drawing master at her school, and a clergyman, Miles Mirabel. Both claim to love her, but only one is telling the truth . . . and the other m
'Mr Vanstone's daughters are Nobody's Children'.Magdalen Vanstone and her sister Norah learn the true meaning of social stigma in Victorian England only after the traumatic discovery that their dearly loved parents, whose sudden deaths have left them orph
The three novellas gathered here--Miss or Mrs? (1871), The Haunted Hotel (1878), and The Guilty River (1886)--demonstrate Collins's ability to construct a gripping situation and create an atmosphere of mystery and menace. Fast-paced and psychologically ab
Three years ago, her husband stood accused of murder -- and the verdict that came in from the jury was the Scottish Verdict, Not Proven. The jury had not evidence enough to convict him -- nor enough to comfortably exonerate him. Eustace could not bear the
When this longtime Modern Library favorite--filled with fifty-two stories of heart-stopping suspense--was first published in 1944, one of its biggest fans was critic Edmund Wilson, who in The New Yorker applauded what he termed a sudden revival of the app
