“ Just as there is no loss of basic energy in the universe, so no thought or action is without its effects, present or ultimate, seen or unseen, felt or unfelt. ” ― Norman Cousins
We are now in the mid-1960s, one of Schulz's peak periods of creativity (and one third of the way through the strip's life!). Snoopy has become the strip's dominant personality, and this volume marks two milestones for the character: the first of many "do
The twelfth volume of Peanuts features a number of tennis strips and several extended sequences involving Peppermint Patty’s friend Marcie (including a riotous, rarely seen sequence in which Marcie’s costume-making and hairstyling skills utterly spoil
Just along King Street at number 159 you will find the old storefront of the Clyde Fans Company. It's been locked up for years now and most people would naturally assume that it's completely abandoned. Look closer. Peer in through the display window into
An Acknowledged Classic returns gorgeously re-designed.In his first graphic novel, It's a Good Life, if You Don't Weaken--a best-selling D & Q titles ever--Seth pays homage to the wit and sophistication of the old-fashioned magazine cartoon. While try
"If you care about graphic novels, you need this book." - New York Times best-selling author Neil GaimanGraphic Witness features rare wordless novels by four great 20th-century woodcut artists European and North American. The stories they tell reflect the
The second volume of the two-part ebook series that invites you to solve mini-mysteries alongside Lemony Snicket.An important postcard never reached its destination, three brothers have been apprehended for one crime, a specter has been seen walking on th
Train travel! Murder! Librarians! A Series Finale!On all other nights, the train departs from Stain'd Station and travels to the city without stopping. But not tonight. You might ask, why is this night different from all other nights? But that's the wrong
First serialized in The New York Times Magazine “Funny Pages”The celebrated cartoonist and New Yorker illustrator Seth weaves the fictional tale of George Sprott, the host of a long-running television program. The events forming the patchwork of Ge
