This brilliant study of the stages in the mind's necessary progress from immediate sense-consciousness to the position of a scientific philosophy includes an introductory essay and a paragraph-by-paragraph analysis of the text to help the reader understan
This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he
Hegel wrote this classic as an introduction to a series of lectures on the "philosophy of history" — a novel concept in the early nineteenth century. With this work, he created the history of philosophy as a scientific study. He reveals philosophical th
PrefaceIntroductionNote on the TextThe three methods of writing historyReason as the basis of historyThe idea of history & its realizationThe idea of freedom The means of realization The idea & the individualThe individual as subject of historyThe
. . . eminently readable . . . admirably picks up the spirit of what Hegel is saying. . . . more readable and accurate than Hartmann's, and it translates a more readable text than does Nisbet's. It includes (as Hartmann's does not) an excerpt, which ser
This book is a translation of a classic work of modern social and political thought, Elements of the Philosophy of Right. Hegel's last major published work, is an attempt to systematize ethical theory, natural right, the philosophy of law, political theor
Librarian note: an alternate cover for this edition can be found here.For Georg Wilhelm Friedrich Hegel (1770-1831), art almost ranked with religion and philosophy in its power to reveal the fundamental nature of existence. But although he lived in the Ge
The history of art has been written and rewritten since classical antiquity. Since the foundation of the modern discipline of art history in Germany in the late eighteenth century, debates about art and its histories have intensified. Historians, philosop
