“ In the end only three things matter: how much you loved, how gently you lived, and how gracefully you let go of things not meant for you. ” ― Anonymous
The author's experiences in Mexico, California, New York, and Paris, her psychoanalysis, and her experiment with LSD. "Through her own struggling and dazzling courage [Nin has] shown women groping with and growing with the world" (Minneapolis Tribune). Ed
Written when Anaïs Nin was in her twenties and living in Louveciennes, France, these stories contain many elements that will delight her readers: details remembered from childhood, of life in Paris, the cafés, theatres; characters including dancers, art
The final volume ends as the author wished-not with her last two years of pain but at a joyous, reflective moment on a trip to Bali. "One of the most remarkable diaries in the history of letters" (Robert Kirsch, Los Angeles Times). Edited and with a Prefa
Under a Glass Bell is one of Nin's finest collections of stories. First published in 1944, it attracted the attention of Edmond Wilson, who reviewed the collection in The New Yorker. It was in these stories that Nin's artistic and emotional vision took sh
The letters of Henry Miller to Anais Nin collected here span a period of 15 years, from 1931 to 1946. These letters are perhaps the closest we can come to an unvarnished, unconscious, "autobiographical" portrait of Henry Millers during these decisive year
"Through the Flower" was my first book (I've since published nine others). I was inspired to write it by the writer and diarist, Anais Nin, who was a mentor to me in the early seventies. My hope was that it would aid young women artists in their developme
Ladders to Fire, Children of the Albatross, The Four-Chambered Heart, A Spy in the House of Love, Seduction of the Minotaur. Haunting and hypnotic, these five novels by Anaïs Nin began in 1946 to appear in quiet succession. Though published separately ov
Collages explores a world of fantasy and dreams through an eccentric young painter. A radical work in its time (1964), Anais Nin dispensed with normal structural convention and allowed her characters to wander freely in space and time in an attempt to des
