Words. Selig loves everything about them--the way they tast on his tongue (tantalizing), the sound they whisper in his ears (tintinnabulating!), and--most of all--the way they stir his heart. And he collects them voraciously, the way others collect stamps
In the streets and canals of Venice, Gabriella can hear nothing but sweet music. The drying laundry goes slap-slap, the church bells go ting-aling-ling, and the lire go jing-aling-ling. Soon, Gabriella is humming her way through town -- and everyone hears
Fee, Fi, Fo, Fum'un, I smell the blood of an Englishwoman. Be she alive or be she dead, I'll grind her bones to make my bread. Mary Pope Osborne's funny, magical retelling of the favorite tale and Giselle Potter's enchanting illustrations feature a ne
A girl makes her own dollhouse in this picture book that celebrates creativity and imagination! A little girl proudly walks the reader through her handmade dollhouse, pointing out the bricks she painted on the outside, the wallpaper she drew on the in
Once upon a time in Greece, fate left a young girl an orphan. Her stepmother was so hateful that she counted every drop of water the orphan drank! But with the help of Nature's blessings, the orphan was showered with gifts: brilliance from the Sun, beauty
Harvey, whose debut collection was praised by the New Yorker as "intensely visual, mournfully comic and syntactically inventive," offers her second stunning collectionUnits are the enginesI understand best.One betrayal, two.Merrily, merrily, merrily.-from
Comic, elegaic, and always formally intricate, using political allegory and painterly landscape, philosophic story and dramatic monologue, these poems describe a moment when something marvelous and unforeseen alters the course of a single day, a year, or
Matthea Harvey's Modern Life introduces a new voice that tries to exist in the gray area between good and evil, love and hate. In the central sequences, "The Future of Terror" and "The Terror of the Future," Harvey imagines citizens and soldiers at the en
