The best-selling author of The Shock of the New, The Fatal Shore, and Barcelona here delivers a withering polemic aimed at the heart of recent American politics and culture.Culture of Complaint is a call for the re-knitting of a fragmented and over-tribal
It is both startling and disconcerting, producing some of the most powerful and moving visual images to have appeared in the last thirty years. Freud—once dubbed "the Ingres of existentialism"—has almost single-handedly redefined the figurative painti
Robert Hughes, who has stunned us with comprehensive works on subjects as sweeping and complex as the history of Australia (The Fatal Shore), the modern art movement (The Shock of the New), the nature of American art (American Visions), and the nature of
The history of the birth of Australia which came out of the suffering and brutality of England's infamous convict transportation system. With 16 pages of illustrations and 3 maps.One of the greatest non-fiction books I've ever read . . . Hughes brings us
Robert Hughes has trained his critical eye on many major subjects: from Francisco de Goya y Lucientes (Goya) to the city of Barcelona (Barcelona) to the history of his native Australia (The Fatal Shore) to modern American mores and values (The Culture o
From Holbein to Hockney, from Norman Rockwell to Pablo Picasso, from sixteenth-century Rome to 1980s SoHo, Robert Hughes looks with love, loathing, warmth, wit and authority at a wide range of art and artists, good, bad, past and present. As art crit
Beginning with a vivid description of his wedding in the splendid medieval ceremonial chamber in Barcelona's city hall, Hughes launches into a lively account of the history, art, and architecture of the storied city. He tells of architectural treasures ab
Brand-new stories by: Thomas Adcock, Kevin Baker, Thomas Bentil, Lawrence Block, Jerome Charyn, Suzanne Chazin, Terrence Cheng, Ed Dee, Joanne Dobson, Robert Hughes, Marlon James, Sandra Kitt, Rita Laken, Miles Marshall Lewis, Pat Picciarelli, Abraham
Writing with all the brilliance, authority, and pungent wit that have distinguished his art criticism for Time magazine and his greatly acclaimed study of modern art, The Shock of the New, Robert Hughes now addresses his largest subject: the history of ar
