Victor Pelevin, the iconoclastic and wildly interesting contemporary Russian novelist who The New Yorker named one of the Best European Writers Under 35, upends any conventional notions of what mythology must be with his unique take on the myth of Theseus
Victor Pelevin's novel Omon Ra has been widely praised for its poetry and its wickedness, a novel in line with the great works of Gogol and Bulgakov: "full of the ridiculous and the sublime," says The Observer [London]. Omon is chosen to be trained in the
In a recent New York Times Magazine feature article, Victor Pelevin was cited as "almost alone among his generation of Russian novelists in speaking with a voice authentically his own, and in trying to write about Russian life in its current idiom." Since
The main character, Andrei, is a passenger aboard the Yellow Arrow, who begins to despair over the trains ultimate destination and looks for a way out as the chapters count down. Indifferent to their fate, the other passengers carry on as usual — tradin
Russian novelist Victor Pelevin is rapidly establishing himself as one of the most brilliant young writers at work today. His comic inventiveness and mind-bending talent prompted Time magazine to proclaim him a "psychedelic Nabokov for the cyber-age." In
After auditioning for the part as a singing geisha at a dubious bar, Lena and eleven other “lucky” girls are sent to work at a posh underground nightclub reserved exclusively for Russia’s upper-crust elite. They are to be a sideshow attraction to th
An alternate cover for this isbn can be found here.Moscow, May 1876: What would cause a talented young student from a wealthy family to shoot himself in front of a promenading public in the Alexander Gardens? Decadence and boredom, most likely, is what th
“Pelagia’s family likeness to Father Brown and Miss Marple is marked, and reading about her supplies a similarly decorous pleasure.”–The Literary ReviewIn a remote Russian province in the late nineteenth century, Bishop Mitrofanii must deal with a
This wonderfully inventive collection of stories presents the writing of Russian absurdist Daniil Kharms at its vibrant, perplexing best. The book is composed of short miniatures: strange, funny, dream-like fragments ? many of which the author called ?inc
