Authorized by the estate of the late Raymond Chandler, this volume reveals the missing life history and detective adventures of Philip Marlowe, one of the 20th century's most enduring and beloved characters. Marlowe is the quintessential American detectiv
With humor, along with an unerring sense of dialogue and the telling details of dress and behavior, Raymond Chandler created a distinctive fictional universe out of the dark side of sunlit Los Angeles. In the process, he transformed both crime writing and
The Raymond Chandler Papers brings together the correspondence and other previously uncollected writing of America's undisputed master of crime fiction and creator of the iconic private eye Phillip Marlowe, revealing all aspects of the great artist's powe
During a period of twenty years that stretched from his beginnings as a pulp writer for The Black Mask, through his writing of the novels The Big Sleep and Farewell, My Lovely, to the Hollywood years of the 1940s, Raymond Chandler kept a series of private
American LiteratureContains:The doctor's son -- It must have been spring -- Over the river and through the wood -- Price's always open -- Are we leaving tomorrow? -- Pal Joey -- The gentleman in the tan suit -- Good-bye, Herman -- Olive -- Do you like it
In 1971, Jorge Luis Borges was invited to preside over a series of seminars on his writing at Columbia University. This book is a record of those seminars, which took the form of informal discussions between Borges, Norman Thomas di Giovanni--his editor a
Lifelong friends, now in their sixties, James Mallow, a teacher, and Hugh Hunter, a television personality, are both enjoying happy relationships with women twenty-five years their junior. James's partner of eight years, Kate Bain, appears devoted, though
As Chandler's last novel opens, Philip Marlowe meets a well-endowed redhead as she disembarks from the Super Chief and leads him to the California coast to solve a tale of big money and, of course, murder."Chandler wrote like a slumming angel and invested
Los Angeles has always been a place of paradisal promise and apocalyptic undercurrents. Simone de Beauvoir saw a kaleidoscopic "hall of mirrors," Aldous Huxley a "city of dreadful joy." Jack Kerouac found a "huge desert encampment," David Thomson imagined
