In 1971, Jorge Luis Borges was invited to preside over a series of seminars on his writing at Columbia University. This book is a record of those seminars, which took the form of informal discussions between Borges, Norman Thomas di Giovanni--his editor a
“In a series of short, sly, ironic essays...[the authors] invert, deflate, and dismantle most of the aesthetic fads of our time....Domecq is a seedy literary journalist....a pompous, brainless critic of every art in sight. He is hilariously awful and a
In his lecture "Play and the Theory of Duende," he says, ". . .there are no maps nor disciplines to help us find the duende. We only know that he burns the blood like a poultice of broken glass, that he exhausts, that he rejects all the sweet geometry we
The first fruit of the collaboration of Borges and his long-time friend Bioy-Casares, Six Problems for Don Isidro Parodi appeared originally under the pseudonym of H. Bustos Domecq. "Bugsy's" prose style is not quite the style of either of the collaborato
