No group of slaves anywhere, in any era, has left such prolific testimony to the horror of bondage as African-American slaves. Here are four of the most notable narratives: The Life of Olaudah Equiano; The History of Mary Prince; Narrative of the Life of
Black Americans are at the heart of the greatest achievements of our history, from music to law, from politics to sports, from literature to religion. Now the two leading African-American intellectuals of our day show us why the twentieth century was "The
Mule Bone is the only collaboration between Zora Neale Hurston and Langston Hughes, two stars of the Harlem Renaissance, and it holds an unparalleled place in the annals of African-American theater. Set in Eatonville, Florida--Hurston's hometown and the i
Born a slave, Frederick Douglass educated himself, escaped, and made himself one of the greatest leaders in American history. Here in this Library of America volume are collected his three autobiographical narratives, now recognized as classics of both Am
A landmark gathering of short fiction, spanning the career of Zora Neale Hurston, author of Their Eyes Were Watching God, and "one of the greatest writers of our time."--Toni Morrison
"This is a book of stories," writes Henry Louis Gates, "and all might be described as 'narratives of ascent.'" As some remarkable men talk about their lives, many perspectives on race and gender emerge. For the notion of the unitary black man, Gates argue
From an American Book Award-winning author comes a pungent and poignant masterpiece of recollection that ushers readers into a now-vanished "colored" world and extends and deepens our sense of African-American history, even as it entrances us with its bra
The slave Phillis Wheatley literally wrote her way to freedom when, in 1773, she became the first person of African descent to publish a book of poems in the English language. The toast of London, lauded by Europeans as diverse as Voltaire and Gibbon, Whe
Now frequently anthologized, Zora Neale Hurston's short story "Sweat" was first published in Fire!!, a legendary literary magazine of the Harlem Renaissance, whose sole issue appeared in November 1926. Among contributions by Gwendolyn Bennett, Countee Cul
