Fourteen of F. Scott Fitzgerald's best-loved and most beguiling stories, together in a single volume
In 1928, while struggling with his novel Tender Is the Night, Fitzgerald began writing a series of stories about Basil Duke Lee, a fictionalized vers
Scott: "The Popular Girl" "Dice, Brassknuckles & Guitar"* "Love in the Night" Scott and Zelda: "Our Own Movie Queen" Zelda: "The Original Follies Girl""Southern Girl" "The Girl the Prince Liked""The Girl with Talent" "A Millionaire's Girl""Poor Workin
Unrivaled diversity and teachability have made The Heath Anthology a best-selling text since the publication of its first edition in 1989. In presenting a more inclusive canon of American literature, The Heath Anthology continues to balance the traditiona
One of the great literary curios of the 20th century, Save Me the Waltz is the first and only novel by the wife of F. Scott Fitzgerald. During the years when her husband was working on Tender is the Night—which many critics consider his masterpiece—Ze
Zelda Sayre Fitzgerald has long been perceived as the tragic "other half" of the Scott and Zelda legend. Born in Montgomery, Alabama, this southern belle turned flapper was talented in dance, painting, and writing but lived in the shadow of her husband
F. Scott Fitzgerald's wife, Zelda (1900-1948), was the model for his heroines and a celebrity in her own right, but little is known about her creative accomplishments. This autobiography aims to reveal her true nature and many talents. It traces the ups a
Los Angeles has always been a place of paradisal promise and apocalyptic undercurrents. Simone de Beauvoir saw a kaleidoscopic "hall of mirrors," Aldous Huxley a "city of dreadful joy." Jack Kerouac found a "huge desert encampment," David Thomson imagined
A vibrant self-portrait of an artist whose work was his life. In this new collection of F. Scott Fitzgerald's letters, edited by leading Fitzgerald scholar and biographer Matthew J. Bruccoli, we see through his own words the artistic and emotional matura
Kathleen Parkinson places this brilliant and bitter satire on the moral failure of the jazz age firmly in the context of F. Scott Fitzgerald's life and times. She explores the intricate patterns of the novel, its chronology, locations, imagery and use of