Deborah Eisenberg is nearly unmatched in her mastery of the short-story form. Now, in her newest collection, she demonstrates once again her virtuosic abilities in precisely distilled, perfectly shaped studies of human connection and disconnection. From a
Deborah Eisenberg's deeply etched and mysterious stories focus on individuals grappling with the dislocations, ironies, and compromises levied by ordinary reality and the vivid, troubling worlds her characters inhabit. In 'The Girl Who Left Her Sock on th
“In twenty-nine separate but ingenious ways, these stories seek permanent residence within a reader. They strive to become an emotional or intellectual cargo that might accompany us wherever, or however, we go. . . . If we are made by what we read, if l
New edition (revised and expanded) available 8/13/02.Fairy tales are one of the most enduring forms of literature, their plots retold and characters reimagined for centuries. In this elegant and thought-provoking collection of original essays, Kate Bernhe
Cassandra Edwards is a graduate student at Berkeley: gay, brilliant, nerve-wracked, miserable. At the beginning of this novel, she drives back to her family ranch in the foothills of the Sierras to attend the wedding of her identical twin, Judith, to a ni
In 1992, Richard Ford edited and introduced the first Granta Book of the American Short Story . It became the definitive anthology of American short fiction written in the last half of the twentieth century—an “exemplary choice” in the words of The
Since 1986 with the publication of her first story collection, Deborah Eisenberg has devoted herself to writing “exquisitely distilled stories” which “present an unusually distinctive portrait of contemporary American life” to quote the MacArthur
