May Sarton's ninth novel explores a woman's struggle to reconcile the claims of life and art, to transmute passion and pain into poetry. As it opens, Hilary Stevens, a renowned poet in her seventies, is talking with Mar, an intense young man who has sough
Still writing and growing in her early eighties, May Sarton long ago established a unique niche for herself in twentieth-century American literature: in numerous volumes of poetry, fiction, and personal journals she has created a body of work that is both
May Sarton's sixty-sixth year, 1978-79, was a difficult time: a cherished relationship came to an end, she had a mastectomy, she fought against depression. But, she writes, "When there is personal darkness, when there is a pain to be overcome, when we are
Christina Chapman and her husband Cornelius, both past seventy, are "summer people"—people who come to rural New England for the summer months and go home to the city when the cold weather comes. This year, however, Christina and Cornelius have decided
The “magnificent spinster” is Jane Reid, a teacher who became not only a revered role model but a dear friend to Cam, the narrator of this novel within a novel. After Jane’s death, the accidental discovery of poems written by Cam in her youth to Jan
May Sarton—poet, novelist, and chronicler—occupies a special place in American letters. This new journal chronicles the year that began on May 3, 1982, her seventieth birthday. At her home in Maine, she savors “the experience of being alive in this
May Sarton's eagerly awaited journals have recorded her life as a single, woman writer and, in later years, as a woman confronting old age. She completed this pilgrimage through her eighty-second year a few months before she died in 1995.
