Peggy Noonan, a speechwriter for the Reagan White House and one of our most astute political observers, argues in this compelling book that Americans must look closely at Hillary Rodham Clinton and the implications of her calculated bid for power. In The
From New York Times bestselling author Peggy Noonan comes "a beautifully written testimony about . . . the most historically recognized pope" (Library Journal)With such accla imed books as When Character Was King, Peggy Noonan has become one of our most e
On the hundredth anniversary of Ronald Reagan’s birth comes the twentieth-anniversary edition of Peggy Noonan’s critically acclaimed bestseller What I Saw at the Revolution, for which she provides a new Preface that demonstrates this book’s timeless
No one has ever captured Ronald Reagan like Peggy Noonan. In When Character Was King, Noonan brings her own reflections on Reagan to bear as well as new stories--from Presidents George W. Bush and his father, George H. W. Bush, his Secret Service men and
For anyone who fears the thought of writing and giving a speech--be it to business associates, or at a wedding--help is at hand. Acclaimed presidential speechwriter Peggy Noonan shares her secrets to becoming a confidence, persuasive speaker demystifying
Peggy Noonan is one of the most brilliant and influential political thinkers and writers of our time. The author of five bestselling books (What I Saw at the Revolution is now a classic), her column in The Wall Street Journalis a must-read for millions of
In this long season of searing political attacks and angry partisan passions, Peggy Noonan's Wall Street Journal column has been must reading for thoughtful liberals and conservatives alike.Now she issues an urgent, heartfelt call for all Americans to see
“A realistic Christian novel of hope in a non-Christian age.”—New England Quarterly“A deeply felt and eloquently expressed work . . . A quiet, gentle novel of considerable insight and charm . . .”—Library Journal “O’Connor succeeds in deli
“In Helena, the play of words and the fireworks, the exquisite descriptions of landscapes, and even the finished portraits of the heroine, her husband, and her son, are always subordinate to the author’s broad vision of the mixed anguish and hope wit