A major collection of writings from one of the most important twentieth century French authors, "The Blanchot Reader" includes six works of fiction ("Death Sentence, The Madness of the Day, When the Time Comes, Vicious Circles, Thomas the Obscure", and "T
This long awaited reprint of a book about which John Hollander wrote: 'A masterful version of one of the most remarkable novels in any language since World War II,' is the story of the narrator's relations with two women, one terminally ill, the other fou
Maurice Blanchot has been for a half century one of France's leading authors of fiction and theory. Two of his most ambitious nonfiction works, The Space of Literature and The Writing of the Disaster, are also available from the University of Nebraska Pre
In these two essays, two of the most important French thinkers of our time reflect on each other’s work. In so doing, novelist/essayist Maurice Blanchot and philosopher Michel Foucault develop a new perspective on the relationship between subjectivity,
Before Sartre, before Beckett, before Robbe-Grillet, Maurice Blanchot created the new novel, the ultimate post-modern fiction. Written between 1932 and 1940, Blanchot's first novel, here brilliantly translated by Robert Lamberton, contains all the remarka
In this landmark volume, Blanchot sustains a dialogue with a number of thinkers whose contributions have marked turning points in the history of Western thought and have influenced virtually all the themes that inflect the contemporary literary and philos
Maurice Blanchot, the eminent literary and cultural critic, has had a vast influence on contemporary French writers—among them Jean Paul Sartre and Jacques Derrida. From the 1930s through the present day, his writings have been shaping the international
Modern history is haunted by the disasters of the century—world wars, concentration camps, Hiroshima, and the Holocaust—grief, anger, terror, and loss beyond words, but still close, still impending. How can we write or think about disaster when by its
Tomando como punto de partida algunos aspectos generales de la obra del marques de Sade y de Lautreamont, Maurice Blanchot hace una critica del discurso de la critica literaria. Para Blanchot el objetivo de la critica debe ser la busqueda del sentido de l
