Kerr, in the NY Herald-Tribune, describes: "This, says Mr. Williams through the most sympathetic voice among his characters, 'is a true story about the time and the world we live in.' He has made it seem true-or at least curiously and suspensefully possib
In this phantasmagorical play, the Camino Real is a dead end, a police state in a vaguely Latin American country, and an inescapable condition. Characters from history and literature—Don Quixote, Casanova, Camille, Lord Byron—inhabit a place where cor
Tennessee Williams' sensuous portrait of sexual repression is as sultry as the sweltering heat of its Mississippi setting. Alma Winemiller, the sheltered daughter of a minister, secretly harbors a lifelong love for the boy next door, Dr. John Buchanan. Al
A tender idyll about a Sicilian woman who must get over the death of her husband. "Forget the unevenness of the story," said Brooks Atkinson of The New York Times, it's "an original and imaginative play."
Los Angeles has always been a place of paradisal promise and apocalyptic undercurrents. Simone de Beauvoir saw a kaleidoscopic "hall of mirrors," Aldous Huxley a "city of dreadful joy." Jack Kerouac found a "huge desert encampment," David Thomson imagined
Williams sets up camp on O'Neill's turf: a bar at the end of the world, shrouded in ocean fog, in which a collection of misfits huddle like birds evading a storm. Unlike O'Neill's eternally damned pipe-dreamers, Williams' crass menagerie of barflies (an i
When Memoirs was first published in 1975, it created quite a bit of turbulence in the mediathough long self-identified as a gay man, Williams' candor about his love life, sexual encounters, and drug use was found shocking in and of itself, and such revela
The second volume traces Williams' career as it evolved in his adventurous and sometimes shocking later works, including Orpheus Descending, Suddenly Last Summer, and Sweet Bird of Youth, plays that deal with acts of horrific violence; the satiric Period
