The stories that comprise this collection will surprise the reader even after numerous readings. They reflect innermost fears and head for spaces where reality is blurred by imagination, where insanity and madness are shrouded in mystery and where humanit
Charlotte Perkins Gilman was a turn-of-the-century American feminist and socialist thinker. In her works of fiction, Gilman sought to illustrate her ideas about the way American society squandered the talents and economic contributions of women. Based on
At the turn of the century, Charlotte Perkins Gilman was a celebrity—acclaimed as a leader in the feminist movement and castigated for her divorce, her relinquishment of custody of her daughter, and her unconventional second marriage. She was also widel
Since its original publication in 1966, this volume has attained classic status. Now its contents have been updated and its cultural framework enlarged by the orginal editors. Many of the 44 stories come from a new writing generation with a contemporary c
A chilling collection of some of the spookiest ghost stories of all time.Watch your step. Be careful what you do. Ghosts are everywhere. In houses new and old. In lonely walks and grim gatherings. Underneath the wallpaper. Riding through the night.These a
Alternate cover edition for 9780553213751The Charlotte Perkins Gilman Reader is an anthology of fiction by one of America's most important feminist writers. Probably best known as the author of "The Yellow Wallpaper," in which a woman is driven mad by cha
Gathering forty important short stories in a portable and economical format, the second edition includes even more of the fiction instructors want to teach and more of the help student readers need.
This volume offers a survey of American short fiction in 59 tales that combine classic works with 'different, unexpected gems', which invite readers to explore a wealth of important pieces by women and minority writers. Authors include: Amy Tan, Alice Ada
‘It is stripped off - the paper - in great patches . . . The colour is repellent . . . In the places where it isn’t faded and where the sun is just so - I can see a strange, provoking, formless sort of figure, that seems to skulk about . . .’Based o