What is it that we do when we enjoy a text? What is the pleasure of reading? The French critic and theorist Roland Barthes's answers to these questions constitute "perhaps for the first time in the history of criticism . . . not only a poetics of reading
In his consideration of the language of the fashion magazine—the structural analysis of descriptions of women's clothing by writers about fashion—Barthes gives us a brief history of semiology. At the same time, he identifies economics as the underlyin
These late essays of Roland Barthes's are concerned with the visible and the audible, and here the preoccupations are particularly intense and rewarding, in part because Barthes was himself, by predilection, an artist and a musician, and in part because h
In this appealing and luminous collection of essays, Roland Barthes examines the mundane and exposes hidden texts, causing the reader to look afresh at the famous landmark and symbol of Paris, and also at the Tour de France, the visit to Paris of Billy Gr
Here, in one volume, are two remarkable novels by the chief spokesman of the so-called “new novel” which has caused such discussion and aroused such controversy. “Jealousy,” said the New York Times Book Review “is a technical masterpiece, impecc
Most of these essays were written between 1963 and 1973 and constitute either the elements of the semiotic discipline or the analysis of texts—ranging from the Bible to advertising—in order to determine the site of possible meanings in narratives. Int
With this book, Barthes offers a broad-ranging meditation on the culture, society, art, literature, language, and iconography--in short, both the sign-oriented realities and fantasies--of Japan itself.
A major discovery: The lost diary of a great mind—and an intimate, deeply moving study of griefThe day after his mother's death in October 1977, the influential philosopher Roland Barthes began a diary of mourning. Taking notes on index cards as was his