“ In the end only three things matter: how much you loved, how gently you lived, and how gracefully you let go of things not meant for you. ” ― Anonymous
Blue Bamboo is a collection of seven short stories by one of Japan's preeminent postwar writers and prose stylists, Osamu Dazai. Not the typical romantic fantasies so often seen in Japanese writing, filled with water sprites and vengeful ghosts, these sto
The post-war period in Japan was one of immense social change as Japanese society adjusted to the shock of defeat and to the occupation of Japan by American forces and their allies. Osamu Dazai’s The Setting Sun takes this milieu as its background to te
This collection of previously unpublished work has been carefully chosen to present the most fully rounded portrait of Osamu Dazai, the tragic genius of 20th century Japanese literature. By turns hilarious, introspective, ironic, and mystical, these remar
This collection shows the qualities that make Japanese literature among the world's finest.Including "Under Reconstruction," considered to be the first modern Japanese short story, this book presents the short stories of Japan as among the world's most sa
Modern Japanese Literature is Donald Keene’s critically acclaimed companion volume to his landmark Anthology of Japanese Literature. Now considered the standard canon of modern Japanese writing translated into English, Modern Japanese Literature include
This acclaimed series, winner of numerous World Fantasy Awards, continues its tradition of excellence with scores of short stories from such writers as Michael Bishop, Edward Byrant, Angela Carter, Terry Lamsley, Gabriel Garcia Marquex, A.R. Morlan, Rober
Dazai Osamu wrote The Fairy Tale Book (Otogizōshi) in the last months of the Pacific War. The traditional tales upon which Dazai's retellings are based are well known to every Japanese schoolchild, but this is no children's book. In Dazai's hands such st
'Schoolgirl' is the novella that first established Dazai as a member of Japan's literary elite. Essentially the start of Dazai's career, the 1933 work gained notoriety for its ironic and inventive use of language, and how it illuminated the prevalent soci
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