Before publishing the sensuous and scandalous poems of Les Fleurs du Mal, Charles Baudelaire (1821-67) had already earned respect as a forthright and witty critic of art and literature. This stimulating selection of criticism reveals him as a worshipper a
Although best known for his collection of poetry, Les Fleurs du Mal, Baudelaire was also a gifted and inventive prose writer. In combining certain of the restrictions of poetic form with the freedom of prose, he sought a form of language capable of convey
Set in a modern, urban Paris, the prose pieces in this volume constitute a further exploration of the terrain Baudelaire had covered in his verse masterpiece, The Flowers of Evil: the city and its squalor and inequalities, the pressures of time and mortal
Controversial book of verse, first published in 1857, presented in a handsome dual-language edition, together with superb selection of great French poet's other works: prose poems from "Spleen of Paris," critical essays on art, music, and literature, as w
One of the most influential French poets of the nineteenth century, Charles Baudelaire (1821–1867) was also an important art critic and translator. In fact, his translations of Edgar Allan Poe's works are considered classics of French prose. Throughout
Charles Baudelaire (1821-67) was a leading poet and novelist in nineteenth who also devoted a considerable amount of his time to criticism. Indeed it was with a Salon review that he made his literary debut: and it is significant that even at this early st
From the introduction by Michael Hamburger:“Baudelaire's prose poems were written at long intervals during the last twelve or thirteen years of his life. The prose poem was a medium much suited to his habits and character. Being pre-eminently a moralist
Including all poems published in the previous three editions, this comprehensive new translation of Baudelaire's poetry is both vivid and authoritative. This dual-language volume presents both the original French poems as well as their translations.
Here, for the first time, the work of three of Frances greatest poets has been published in a single volume: the sensual and passionate glow of Charles Baudelaire, the desperate intensity and challenge of Arthur Rimbaud, and the absinthe-tinted symbolist