For fifty years Mollie Panter-Downes' name was associated with "The New Yorker", for which she wrote a regular 'Letter from London', book reviews and over thirty short stories; of the twenty-one in "Good Evening, Mrs Craven", written between 1939 and 1944
Most of these stories focus on the small, quiet or unspoken intricacies of human relationships rather than grand dramas. The use of metaphor is delicate and subtle; often the women are strong and capable and the men less so; shallow and selfish motives ar
It's a summer's day in 1946. The English village of Wealding is no longer troubled by distant sirens, yet the rustling coils of barbed wire are a reminder that something, some quality of life, has evaporated. Together again after years of separation, L