If a mountain man felt compelled to dance, how would he do it? If koala bears could talk, what would they say? And what’s the right pickup line, if you’re a necrophiliac? (Maybe “I’m pretty sure I’m not going to get you pregnant.”) In the th
Now more than ever, Americans are troubled by questions. As sweaty modernity thrusts itself upon us, the veil of ignorance that cloaked our nation hangs in tatters, tattered tatters. Our "funny bones" are neither fun nor bony. Glum is the new giddy, and t
Issue 11 features contributions by many of your favorite McSweeney's writers, as well as a chorus of new voices. Contributors include: Tom Bissell, Sean Warren, Samantha Hunt, Robert Olmstead, T.C. Boyle, David Means, Doug Dorst, Joyce Carol Oates, A.G.
Michael Chabon is back with a brand-new collection that reinvigorates the stay-up-all-night, edge-of-the seat, fingernail-biting, page-turning tradition of literary short stories, featuring Margaret Atwood, Stephen King, Peter Straub, David Mitchell, Jona
With work by Roddy Doyle, Stephen Elliott, Peter Orner, Joyce Carol Oates, Yannick Murphy, and Miranda July, as well as the triumphant return of Arthur Bradford and stories concerning fistfighting Mormons, New Zealand policemalfeasance, and a man named Tr
McSweeney's has grown to be one of the country's best and largest-circulation literary journals. The journal is committed to finding new voices, publishing work of gifted but underappreciated writers, and pushing the literary form forward at all times. We
McSweeney's began as a literary journal which published only works rejected from other magazines, but after the first issue, the journal began to publish pieces written with McSweeney's in mind, attracting works from some of the finest writers in the coun