Here are two major works by the famed Polish novelist and dramatist Witold Gombrowicz. The first, Cosmos, a metaphysical thriller, revolves around an absurd investigation. It is set in provincial Poland and narrated by a seedy, pathetic, and witty student
En pleine nuit, le docteur Pardon alerte son ami Maigret : un inconnu vient de lui amener une jeune femme, Lina, légèrement blessée par balle. Puis le couple a disparu, donnant de la blessure une explication très sommaire... Le lendemain, un Libanais
Gombrowicz's strange, bracing final novel probes the divide between young and old while providing a grotesque evocation of obsession. While recuperating from wartime Warsaw in the Polish countryside, the unnamed narrator and his friend, Fryderyk, attempt
The three volumes of The Accursed Share address what Georges Bataille sees as the paradox of utility: namely, if being useful means serving a further end, then the ultimate end of utility can only be uselessness. In the second and third volumes, The Histo
Set against the backdrop of Europe’s slide into Fascism, this twentieth-century erotic classic takes the reader on a dark journey through the psyche of the pre-war French intelligentsia, torn between identification with the victims of history and the gl
Theory of Religion brings to philosophy what Bataille's earlier book, The Accursed Share, brought to anthropology and history; namely, an analysis based on notions of excess and expenditure. Bataille brilliantly defines religion as so many different attem
Tears of Eros is the culmination of Georges Bataille's inquiries into the relationship between violence and the sacred. Taking up such figures as Giles de Rais, Erzebet Bathory, the Marquis de Sade, El Greco, Gustave Moreau, Andre Breton, Voodoo practitio
Compiled in 2001 to commemorate the passing of an era, Hatred of Capitalism brings together highlights of Semiotext(e)'s most beloved and prescient works. Semiotext(e)'s three-decade history mirrors the history of American thought. Founded by French theor
Georges Bataille, con el seudónimo de Pierre Angélique, había publicado, en 1941 y en 1945, dos ediciones clandestinas de Madame Edwarda. En 1956, Bataille entregó el libro a su editor, J.-J. Pauvert, para que lo publicara por primera vez en edición
