Mothership: Tales from Afrofuturism and Beyond is a groundbreaking speculative fiction anthology that showcases the work from some of the most talented writers inside and outside speculative fiction across the globe—including Junot Diaz, Victor LaValle,
A collection of some of the best original short fiction published on Tor.com in 2014. Contents:As Good As New by Charlie Jane AndersThe End of the End of Everything by Dale BaileyMrs. Sorensen and the Sasquatch by Kelly BarnhillSleep Walking Now and Then
In 1514 Hungary, peasants who rose up against the nobility rise again – from the grave. In 1633 Al-Shouf, a mother keeps demons at bay with the combined power of grief and music. In 1775 Paris, as social tensions come to a boil, a courtesan tries to sav
A 300 year-old story collector enlists the help of the computer hacker next door to save her dying sister. A half-resurrected cleanup man for Death's sprawling bureaucracy faces a phantom pachyderm, doll-collecting sorceresses and his own ghoulish bosses.
Sierra Santiago was looking forward to a fun summer of making art, hanging out with her friends, and skating around Brooklyn. But then a weird zombie guy crashes the first party of the season. Sierra's near-comatose abuelo begins to say "Lo siento" over a
“Because I’m an inbetweener—and the only one anyone knows of at that—the dead turn to me when something is askew between them and the living. Usually, it’s something mundane like a suicide gone wrong or someone revived that shouldn’ta been.”
Be afraid, be very afraid of Terrifying Tales, the sixth volume in the Guys Read Library of Great Reading.Eleven masters of suspense—Kelly Barnhill, Michael Buckley, Adam Gidwitz, Adele Griffin and Lisa Brown, Claire Legrand, Nikki Loftin, Daniel José
The author of Half-Resurrection Blues returns in a new Bone Street Rumba Novel—a knife-edge, noir-shaded urban fantasy of crime after death.The streets of New York are hungry tonight... Carlos Delacruz straddles the line between the living and the no
‘Traitor’ or ‘revolutionary.’ These labels are two sides of the same coin, just as ‘hero’ or ‘villain’ depends on the point of view of the person telling the story. These are obvious concepts when spelled out in clear cut settings. Because
National Book Award winner Jesmyn Ward takes James Baldwin’s 1963 examination of race in America, The Fire Next Time, as a jumping off point for this groundbreaking collection of essays and poems about race from the most important voices of her generati