Il avait lâché le journal, qui s’était d’abord déployé sur ses genoux puis qui avait glissé lentement avant d’atterrir sur le parquet ciré. On aurait cru qu’il venait de s’endormir si, de temps en temps, une mince fente ne s’était dess
'Our Lady of the Flowers', which is often considered to be Genet's masterpiece, was written entirely in the solitude of a prison cell. the exceptional value of the work lies in its ambiguity.
The two plays collected in this volume represent Genet's first attempts to analyze the mores of a bourgeois society he had previously been content simply to vilify. In The Maids, two domestic workers, deeply resentful of their inferior social position, tr
Genet's sensual and brutal portrait of World War II unfolds between the poles of his grief for his lover Jean, killed in the Resistance during the liberation of Paris, and his perverse attraction to the collaborator Riton. Elegaic, macabre, chimerical, Fu
This is the third of Genet's prose works to be published in America, following Our Lady of the Flowers (1963) and The Thief's Journal (1964). It is, however, Genet's second novel, having been written in La Santé and Tourelles prisons in 1943, directly af
Jean Genet was one of the world’s greatest contemporary dramatists, and his last play, The Screens, is his crowning achievement. It strikes a powerful, closing chord to the formidable theatrical work that began with Deathwatch and continued, with even b
The Thief's Journal is perhaps Jean Genet's most authentically autobiographical novel, personifying his quest for spiritual glory through the pursuit of evil. Writing in the intensely lyrical prose style that is his trademark, the man, Jean Cocteau, dubbe
In Guignol's Band, first published in France in 1943, Céline explores the horror of a disordered world. The hero, the semi-autobiographical Ferdinand, moves through the nightmare of London's underworld during the years of World War I. In this distressing