Friedrich Hölderlin (1770-1843) is now recognized as one of Europe’s supreme poets. He first found his true voice in the epigrams and odes he wrote when transfigured by his love for the wife of a rich banker. He later embarked on an extraordinarily amb
"In the writing of Paul Celan even we readers who can hear poetry only dimly in German can sense the greatness of his invention: the cadences of a music tilted against music's complacency; words punished for their plausibility by being reinvented and fuse
From the introduction by Michael Hamburger:“Baudelaire's prose poems were written at long intervals during the last twelve or thirteen years of his life. The prose poem was a medium much suited to his habits and character. Being pre-eminently a moralist
Biographies can never be wholly objective or comprehensive; for by selecting which facts will receive emphasis, a biographer is bound to underplay those aspects which he considers to be less important. Hence, a volume such as this will allow readers to co
Unrecounted is a book of poems and images from one of the most admired European writers, W.G. Sebald, and his friend and collaborator, the German artist Jan Peter Tripp.For a number of years until Sebald's death in 2001, the two exchanged poems and lithog
“W. G. Sebald exemplified the best kind of cosmopolitan literary intelligence–humane, digressive, deeply erudite, unassuming and tinged with melancholy. . . . In [Campo Santo] Sebald reveals his distinctive tone, as his winding sentences gradually min
W.G. Sebald completed this controversial book before his death in December 2001. On the Natural History of Destruction is his harrowing and precise investigation of one of the least examined silences of our time. In it, the novelist examines the devastati
At first The Emigrants appears simply to document the lives of four Jewish émigrés in the twentieth century. But gradually, as Sebald's precise, almost dreamlike prose begins to draw their stories, the four narrations merge into one overwhelming evocati
Vertigo, W. G. Sebald's first novel, never before translated into English, is perhaps his most amazing and certainly his most alarming. Sebald—the acknowledged master of memory's uncanniness—takes the painful pleasures of unknowability to new intensit
