This is the story of Moses Herzog, a great sufferer, joker, mourner, and charmer. Although his life steadily disintegrates around him - he has failed as a writer and teacher, as a father, and has lost the affection of his wife to his best friend - Herzog
Take a man waiting - waiting between the two worlds of civilian life and the army, suspended between two identities - and you have a man who, perhaps for the first time in his life, is truly free. However, freedom can be a noose around a man's neck.
How do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constant
Saul Bellow's fiction, honored by a Nobel Prize and a Pulitzer, among other awards, has made him a literary giant. Now the man himself and a lifetime of his insightful views on a range of topics spring off the page in this, his first nonfiction collection
Leventhal is a natural victim; a man uncertain of himself, never free from the nagging suspicion that the other guy may be right. So when he meets a down-at-heel stranger in the park one day and finds himself being accused of ruining the man's life, he ha
Augie comes on stage with one of literature’s most famous opening lines. “I am an American, Chicago born, and go at things as I have taught myself, free-style, and will make the record in my own way: first to knock, first admitted.” It’s the “Ca
“An enduring testament and prophecy.” –Chicago Sun-Times Mr. Artur Sammler, Holocaust survivor, intellectual, and occasional lecturer at Columbia University in 1960s New York City, is a “registrar of madness,” a refined and civilized being caugh
Winner of the Nobel Prize and a towering figure of 20th-century literature, Saul Bellow secured his place as one of the most distinctive and significant writers of the postwar era with the publication of his third novel, The Adventures of Augie March. Thi
Passionate, insightful, often funny, and exhibiting a linguistic richness few writers have equaled, the novels of Saul Bellow are among the defining achievements of postwar American literature. The Library of America volume Novels 1956–1964 opens with S
